One of my work colleagues asked me if I could copy a style of digital photo manipulation to create 3 portraits of her family pooches who had crossed over the rainbow bridge. I adjusted contrast and saturation, and applied a Filter in Photoshop to get the effect above. That was the easy part. Each dog had to be separated from its background and some bits redrawn because detail can be lost when you apply that particular Filter. The client wanted a navy blue background but I talked her out of it because the dog pictured here would have been lost, and all the backgrounds had to be the same.
Here are 'before' and 'after' images of Bootz. This is the original photo.
And this is Bootz after I had made my initial adjustments, cut him out and applied the Filter. I suggested this as a background but the client wanted the blue *ho hum*. I find this the most difficult aspect of graphic design work but I am better at it than I was. As a young person I wouldn't have been able to compromise my aesthetics, but I am glad I can now because I like doing these jobs.
You can see in the image below that Bootz's cute nose and endearing expression was lost when the Filter was applied, so this is me redrawing it. I think it was necessary to replace this detail (while maintaining the style of the Filter) to capture Bootz's 'essential character'. Like a lot of little dogs, I believe he was quite a character.
The image below is a mockup of all 3 on a wall in frames. It was my idea to add the ground and shadows because they needed something to 'sit' on.
Some were easier than others to cut out and manipulate and it took me about 6 hours do the lot. Of course I can't charge what my time was really worth because like a lot of graphic design work, there is a limit to what you can ask for. And I charged 'mate's rates' anyway. My artist friend thought I should have charged a lot more but it's easy to price yourself out of the market. This work is additional to my teaching work which pays the bills, and small jobs like this help me get through the 6 week summer break without pay.
Students often ask me what a painting is worth ie how much should they charge. I say: 'it's worth what someone will pay'. Unfortunately the arts don't pay well unless you have a high profile or are brilliant at marketing yourself. It is a ridiculously competitive field where many will do it for 'love' just to get themselves 'out there' and the general public have absolutely no idea how much knowledge and skill is required to create even a simple artwork well. It's very frustrating at times but it goes with the territory - though I still ask people how they think they'd fare if they tried to get their car fixed for $20 an hour, or even better - for free! Because yes, when you are an artist people ask you ALL the time to do stuff for free. Well hey - you do it for love anyway don't you?
In the end I'm content with the overall outcome. The client is very happy and I have another dog to digitise for another work colleague. It's not 'original' work - it doesn't compromise my intellectual property rights because it's basically a technical job, though many aesthetic decisions have to be made and drawing skill is required.