Saturday, 30 May 2020

Hand-drawn to Digital


In response to Tara's comment on a previous post, I thought I'd explain how I move from hand drawn to digital images.

Top-left is my original rough drawing. I do these in my journal. For this one I was basically just recording a dream or an idea so I draw from memory, that is, I didn't bother using reference images. Often the original drawing never gets past this phase.

Sometimes I'll scan my drawings, open them up in Photoshop and use them to trace another line drawing on top, on a different layer. That is what I did in this case, top-right. Because I've only drawn on the top layer, I now have a transparent background (which looks white because I have a white layer underneath).

Sometimes I just keep the original pen drawing (rather than tracing over it on a different layer) by selecting and deleting the background - leaving the penned lines behind. I then clean it up by erasing the scraggy bits. In both cases I end up with a line drawing with no background - visualise an Artline or biro pen drawing on a transparent plastic sheet (remember the old overhead projectors?)

Now I can add a new background on a layer underneath the line drawing, and another on top of that to colour in different sections, staying inside the lines (bottom-left). Bottom-right is 3 layers - one for the purple background, one that contains the colour for the woman, and the line drawing on top.

I can also manipulate the image in various ways like changing the colour of the woman, and adding in a pattern I 'borrowed' from the internet. (I would normally create my own designs for that).

The image below uses a 'Clipping Mask' to make sure the pattern is only laid over the figure.
Photoshop was originally designed to edit and manipulate photos - as the name suggests. But it is still the program of choice for most digital artists, even though there are lots of other drawing and painting programs available now - like Manga Studio, Corel Draw and Procreate for iPads.

You can create very complex drawings with dozens of layers in Photoshop (and I have) but this is just a basic intro. If you are curious and want to know more - just Google 'digital drawing in Photoshop' or something similar. You'll find hundreds of YouTube tutorials.

Tuesday, 19 May 2020

Art Magic

This is a drawing of a dream I had many years ago when I was struggling with some spiritual stuff (which is most of the time). I recreated it digitally and added colour. It's a reminder that simplicity is often the best way to represent complex ideas.

Since I completed my PhD 7 years ago I haven't recorded my dreams. For decades previous to that I did - in words and sometimes journal drawings. I ended up with dozens of journals that I had kept since my early twenties. It was an overwhelming amount of information to keep track and make sense of.  

To get past the scrutiny of the PhD examiners I had to remove large chunks of writing from my thesis because they were too 'personal'. Hell, the whole thing was personal, but I was able to justify it by relating it to art history and Jungian archetype theory. It's all about context. 

Last year, having reached a level of integration, I went through my journals and destroyed most of the material. Some of the drawings were scanned and saved and I also kept a few accounts of 'critical' points in my journey. Lately I have been revisiting the extracted sections from my thesis. 

My life-long art practice, and the core idea of my thesis, is based in 'alchemy' - basically, that engaging with dreams and imagery in general can give us greater insight into the true nature of reality through gnosis or direct knowing. The process is alchemical and psychological.

My original intention for doing the PhD was to 'prove' a methodology, document my own process and make it available for others. I completed the first 2 parts of that journey and I'm now wondering whether I should try to finish what I set out to do, or whether I should let go of it and continue on alone.

Image: Author, digital drawing.

Friday, 8 May 2020

On Being a Girl 2


Nothing like a bit of gender stereotyping. You'd never find me in a photo like this though. I didn't like girly things at all. My maternal instincts extended to animals only. I had a favourite teddy bear and despised dolls and dresses. I was crazy about bicycles, trampolines, climbing trees, being upside down on the monkey bars, fossicking in car wrecks, swimming in the sea until my skin wrinkled and I was shivering with cold and building bush cubbies - which included large underground excavations and makeshift treehouses. 

I often freaked out my poor mother bringing home a variety of creepy crawlies, including long necked tortoises, dead rats, frogs balanced on my head and even a tiger snake one day - held proudly against my chest (for international readers tiger snakes will kill if you don't get the antivenene in time).

Looking back - although my family life was pretty miserable - I was lucky to have a feral childhood in the Aussie bush sans hovering parents. I think it was the 'making of me' in many ways.

Photo - can't remember if I found it at Historic Albany's Facebook page or not. Unfortunately I've lost the link.

Tuesday, 5 May 2020

'Pandemic as Collective Narcissistic Injury'


COVID Couture 2


I invented this helmet as part of a digital drawing course I did years ago. Maybe it's the way we should be dressing in future (and yes - I am joking).

Image: Original helmet design by author, digital drawing.

Sunday, 3 May 2020

What We've Learned from COVID

It's been an intense and somewhat overwhelming year. It started with a *bang* when COVID entered our consciousness and then began to affect our lives in practical ways. There's been a lot of talk about 're-evaluation' and 'resetting' those lives post-COVID. I doubt whether anything really changes in the short term but I do see it happening in the long term.

Many, many years ago, before the world economy got so insanely manic, I predicted global life would eventually reach its limits - and not because I am narrow-minded, parochial or 'protectionist'. I love living in a multi-cultural country. Hell my own family were European immigrants. Cuisine, music and art have improved exponentially since the 70s because of the wonderful mix of cultures we have in Australia. For a while my best friend at primary school was an Aboriginal girl. Later when we moved into a new suburb I went to a brand new highschool where I can only recall one 'Australian'. Most kids were first generation English immigrants and some of my friends were Sri Lankan and eastern-European. Back then the mix of cultures and exchange of ideas was on a human scale - a scale that, as individuals living in a society - we could psychologically 'manage'.

Although as humans we may be capable of sending rockets to Mars, landing on the moon and engaging in many other extraordinary feats - we are still very primitive, and tribal. Just take a look at what happened during this pandemic. We've witnessed a schizoid display of ridiculous survivalist mob mentality (eg toilet paper hoarding, increased buying of guns - even in Australia) alongside selfless acts of compassion and generosity. And that's my point. After millenia of human evolution this is still who we are. Despite all our technology and the 'smart' stuff we can do on the outside - we haven't really changed on the inside. We are just as primitive as we were.

During the shutdown there was a mix of responses - some complained while others took the opportunity to reconnect with their families - the people they actually live with but hardly ever connect with because they are separated by being too busy and/or obsessed with technology. (We also saw how technology can be a force for good in connecting people). Parents were forced to spend longer in the company of their own children than they had since they were babies. And they made some discoveries, both good and bad. Parents complained about how hard it was to keep their children occupied and 'entertained' and how their kids were driving them crazy. No doubt kids had their own view of this. It forced both parents and kids to realise the difficult but important job teachers do and that is long overdue. It also made parents notice the inability of their kids to self-occupy and self-regulate. In some cases - as families gardened, baked and revisited hand crafts together - both kids and parents learned a new appreciation for each other and the bonds they share.

Many during the shutdown were more anxious, bored, fearful and psychologically challenged. But many loved the enforced rest because it finally gave them an excuse to stop (except front-line workers of course, which apparently included me).

On the world stage the impacts have been more dramatic and obvious. The shutdown exposed the paradox of 'freedom' vs 'control' - the individual vs the collective - as some demanded the right to move around. You could even say exercise their 'right to die'. Conspiracy theories and anti-vaxxers have been rampant on social media, some have merit, some are just plain ridiculous.

For Australia as a nation, and the world in general, one very important massive elephant has been brought out of the room and onto centre stage - and that's our unhealthy reliance on and relationship with China. I've always been suspicious of the Chinese regime but now it is obvious to all thinking Aussies that we are in a no-win diplomatic and economic position. We may even be at physical risk. This is a direct result of globalisation and demonstrates how things have become too big, on an individual human scale, for us to manage.

I could go on listing the many things that have occurred to me during the pandemic but it's easier if I frame my observations in a big picture scenario and summarise what I think has happened, and will continue to happen. The law of expansion and contraction is immutable. It is what I call one of the 'laws of the universe', supported by both ends of the spectrum - maths/science and philosophy/spirituality. Human civilisation has been expanding and now it is contracting - it really is as simple as that. I predict we will retreat even more into our national borders. Our decadent habit of moving around the globe at will (flying pork from Australia to Asia on a daily basis FFS!) and managing an overwhelming amount of data (remembering information isn't knowledge) has reached a tipping point of complete insanity. We need to dismantle and regroup, bring things back into ourselves and become more introspective, before we can move creatively outwards again. 

I think COVID is a significant step in the protracted process of human devolution.


Image: Comet surfing dream by author. Colour pencil on paper.

Friday, 1 May 2020

Neo-liberals suck


Venting my frustration again. Yep, neo-liberals suck - literally. Parasites - and hypocrites to boot.

Image: Original concept, digital drawing by blog author.