A week ago I received another email from the executive director of the CG Jung Institute of LA saying:
'We were planning on publishing your article at the end of 2021, which means that we would need the final manuscript in September. Do you think it would work? Please let me know. It’s such a special dissertation that I would like to encourage you to publish it with us'.Eeeek!!! In the midst of juggling too many things this had completely slipped off my radar. Once again I was surprised at the interest. Anyone who has dared to step into the murky depths of my thesis will understand why. It's such an obscure topic - an intense and uncomfortable tale of a personal journey into the depths of depression and the Jungian unconscious. I never expected anyone apart from my supervisor and the examiners to read it. But here I am in the midst of apocalyptic times - a pandemic that won't go away, fires and floods and more global chaos than usual - being asked to focus on a self-indulgent piece of research that even my supervisor cautioned was in danger of descending into solipsism*.
With a head completely befuddled by the flu I'm still struggling to appreciate that being published might be an excellent thing. I'm not a career academic. I fell into it by default. It was the inevitable destination for someone with an obsession to find the very core of their own psyche. I tried Googling: what does it mean to get an article published?' but that didn't help.
Writing an article is quite different to writing a thesis. I've never written an article. Initially the executive thought his organisation could publish my thesis in sections to save me rewriting. He seems to want to publish the whole thing and that is a massive job, but he needs it in readable chunks for the journal. Having divided it into 4 chunks it is clear it will need a bit more rearranging than that - and some abstracts, bios and summary/linking paragraphs. I'm well into that process and it's having some side effects.
Revisiting the trauma that motivated me to do the thesis in the first place, going back into the process and revisiting the images I created as part of the research, is like experiencing PTS. But there is an up side. At what might be a critical time in our lives on a dying planet I am reminded that life isn't just material. This is important because in the face of physical annihilation it is possible the essence of our existence will live on - somewhere, somehow.

























